Hours before President Trump took the stage at Tennessee University in Chattanooga on Sunday night, Rihanna's "Do not Stop The Music" echoed 11,000 in the McKenzie Arena. "Trump's rallies do not look like anything else in politics," writes Philip Rucker of The Washington Post on Twitter, where he described scene: Executives throwing free Trump T-shirts in the crowd "like a ball game" lines which extend out of the door.
"Keep on rockin 'on it," Rihanna's voice was recorded outside. "Please do not stop it, please do not quit, please do not stop the music."
But when the pop star learned that her 2007 song had been featured in the rally, her answer was clear: in fact, she wanted the music to stop.
"Not for long," tweeted, in response to Trump using her song in Sunday's Rally. "… neither me nor my folks would ever be in or around one of these tragic rallies."
The Barbados singer can not vote in the United States, but she has no secret of her political inclinations: She was a critical critic of the president. Last year he called him an "immoral pig" after signing an executive decree banning the citizens of seven Muslim countries by a majority from entering the United States in January 2017 and criticizing his reaction to the devastation of Hurricane Maria in Puerto Rico.
Weeks before the 2016 elections, Riana was found wearing a T-shirt with a picture of Hillary Clinton's face printed on her. After the inauguration of Trump, she appeared in March of women in New York in a pink sweatshirt and fits in with the pink tutu and boiled in front of the Trump Tower.
But can it really stop Trump from playing her music at campaign events?
The answer is complex. When a politician wants to use a song as a musical background in a rally, his campaign needs a public enforcement license from the copyright owner of the music composition, instead of a recording artist, the copyright lawyer Danwill Schwender explained in an article in 2017, "American Music, "a scientific journal published by the University of Illinois Press. Radio and TV ads are another story – the owner of the recording, usually the artist's tag, will need to license the song to the campaign.
In the United States, the copyright for most music compositions belongs to one of two enforcement rights organizations: the American Composers, Authors and Publishers Association (ASCAP) or Broadcast Music, Inc. (BMI), which manages 23.5 million songs with each other. In 2012, BMI created a separate license for political entities, writes Schwender, allowing musicians to choose whether or not they want their song to be used on a rally. ASCAP applies a similar provision, according to the NPR.
The musicians from Adele to Neil Young have asked to stop playing their songs in songs, while some have exploited this clause. In October 2015, Aerosmith director Steven Tyler demanded that the trumpeting campaign be stopped playing "Dream On" at the gatherings and the BMI put public rights on the song. (The Tour Of The Turbo on August 21 in Charleston, W. Va., Featured the "Livin 'On The Edge" of Aerosmith, which led to another Tyler letter of silence.) Similarly, after the National Assembly Democracy, "In 2016, the band chose to exclude the song from being used for future political events.
As Amy B Wang of the Washington Post said last week, when Pharrell Williams asked Trump to stop using his hit "Happy" in political events, ASCAP warns politicians that even if a campaign has taken license of a song, permission of the artist. According to ASCAP guidelines, dissatisfied artists could pursue a Lanham lawsuit aimed at avoiding the dilution of branding of a brand through unauthorized use or on the basis of "right to publicity" laws providing image protection for well-known artists in some states.
But, as Melinda Newman from Forbes wrote, "The problem is that both have not been tested for the habits of the campaign, since no artist or songwriter seems to have ever assume a trial that refers to a campaign violation – or at least until we could find it. "
Meanwhile, Trump famously likes to end his rallies with Rolling Stones, "You Can not Always Get What You Want," though it is against the band's wishes. And there's nothing the team can do to stop him, said Mick Jagger in 2016.
"So the thing is when you show up in America … if you're in a public space like Madison Square Garden or a theater, you can play any music you like and you can not stop," said Jagger at a question and answer session on Twitter. "So if you write a song and someone plays it in a restaurant you're going to, you can not stop them. They can play what they want."
Most of the typical venues for campaign events, such as arenas and conference centers, will already have a general license from a performance rights organization in place, Schwender writes. And for this "Sweet Child O'Mine" is played on the Trump ramp despite the Guns N Roses demands, to the contrary, Axl Rose said on Sunday.
"Unfortunately, the Trump campaign uses gaps in the endless permits for the execution of the various sites, which were not intended for such political purposes without the consent of the songwriters," he He wrote on Twitter.
In his article, Schwender noted that the RNC could theoretically use the license of a conference center to play Queen's "We Are The Champions," arguing that the space license replaced the campaign permission – or the its lack.
"Although a BMI spokesman said that this would not be appropriate, using a song as a random music scene as opposed to a thematic music of a campaign can change the resolution," he writes. "The courts have not yet tried this argument."
For musicians, there is little financial reward for the expulsion of such a treatment. And it is always possible that the campaign will opt voluntarily to stop playing Rihanna's music at her request, as they did for Young in 2015. Meanwhile, Rihanna's attitude has won her praise by some Democratic politicians.
"Good for @rihanna," He wrote Eric Swalwell (D-California) on Twitter. "@RealDonaldTrump also got the wrong song. Will Russian Roulette or Rude Boy not fit better?
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